KIRITIN BEYER: Fleeing The Ruins (limited edition print)
$500.00 – $1,500.00
In ancient traditions, masks were used to channel deities. The artists behind this series used them to reinvent old African, Indigenous and Caribbean rituals and conjure mysterious figures, creating a uniquely conceptual photography series in the process.
ARTIST: Kiritin Beyer (in collaboration with Parris Jaru)
TITLE: Fleeing the Ruins, 2013
MEDIUM: Digital Archival Print (unframed)
LIMITED EDITION PRINTS: Every print comes with a Certificate of Authenticity signed by the artist.
SMALL PRINT: 20″ x 20″ (51cm x 51cm) – Edition of 99
MEDIUM PRINT: 30″ x 30″ (76cm x 76cm) – Edition of 59
LARGE PRINT: 40″ x 40″ (102cm x 102cm) – Edition of 29
Please contact us to inquire about sizes not listed here. Interior image mockup for reference only (final framing ratio will depend on your framing choice).
PRINTING SPECS: Photographs are printed to the highest industry standard by an experienced fine art printer using Epson inkjet pigments on Hahnemühle German Etching paper (both inks and papers are archival), hand-cut to selected size. The paper is characterized by its matte quality and velvety tactile feel. Its texture brings out the image’s three-dimensional effect and depth.
CHOOSING YOUR PRINT SIZE: Please use the reference images to visualize the size of your print on a wall. Remember there is an additional white border included for framing purposes.
SHIPPING DETAIL: All photography prints are shipped unframed within 1 week of your order date.
RETURN / REFUND: As our prints are made to order, they are final sale and non-returnable. We guarantee the quality of our prints, but if your order was shipped with a defect or arrived damaged, please contact us at [email protected]. See our Customer Service page for more info.
ABOUT THE ARTISTS: Kiritin Beyer is a French-Danish photographer and videographer. Parris Jaru is a Jamaican-born American painter. The creative pair (and a couple in real life) worked on this series for 2 years. They turned abandoned buildings into their private playgrounds and reinvented old African, Indigenous and Caribbean traditions and rituals.
