KIRITIN BEYER: Fleeing The Ruins (limited edition print)
$500.00 – $1,500.00
In ancient traditions, masks were used to channel deities. The artists behind this series used them to reinvent old African, Indigenous and Caribbean rituals and conjure mysterious figures, creating a uniquely conceptual photography series in the process.
ARTIST: Kiritin Beyer (in collaboration with Parris Jaru)
TITLE: Fleeing the Ruins, 2013
MEDIUM: Digital Archival Print (unframed)
EDITION: Limited Edition Print (every print comes with a Certificate of Authenticity signed by the artist)
20 x 20 in. (50.8 x 50.8 cm) – Edition of 99
30 x 30 in. (76 x 76 cm) – Edition of 59
40 x 40 in. (102 x 102 cm) – Edition of 29
Please contact us to inquire about sizes not listed here. Interior image mockup for reference only (final framing ratio will depend on your framing choice).
PRINTING SPECS: Photographs are printed to the highest industry standard by an experienced fine art printer using Epson inkjet pigments on Hahnemühle German Etching paper (both inks and papers are archival), hand-cut to selected size. The paper is characterized by its matte quality and velvety tactile feel. Its texture brings out the image’s three-dimensional effect and depth.
CHOOSING YOUR PRINT SIZE: Please use the reference images to visualize the size of your print on a wall. Remember there is an additional white border included for framing purposes.
DELIVERY TIME: 2 to 3 weeks for North America orders (please allow additional time for international orders due to customs). Shipped unframed.
RETURN / REFUND: As our prints are made to order, they are final sale and non-returnable. We guarantee the quality of our prints, but if your order was shipped with a defect or arrived damaged, please contact us at [email protected]. See our Customer Service page for more info.
ABOUT THE ARTISTS: Kiritin Beyer is a French-Danish photographer and videographer. Parris Jaru is a Jamaican-born American painter. The creative pair (and a couple in real life) worked on this series for 2 years. They turned abandoned buildings into their private playgrounds and reinvented old African, Indigenous and Caribbean traditions and rituals.