People are dwarfed in his images – if they are present at all! People are dots on the image, no bigger than ants at times. Gursky’s subject is what people have built, not people. The few human figures in his photographs seem insignificant compared to where they stand.
Gursky often prefers an empty stage: the environment is man-made, but man is nowhere to be seen. His work is a reminder that the gigantic structures we built are all that will be left of us after we’re gone. We are confronted by miles and miles of supermarket aisles, of buildings or hotel floors… all empty and lifeless.
His colors are poppy and vibrant, adding to the sensory overload one experiences when in front of his images. Most of his prints are gigantic – some of them up to six feet high by ten feet long! The image overwhelms and engulfs you. It’s a disorienting experience as you feel simultaneously far from the scene and part of it.
While he started in the film days, he was an early adopter of digital cameras and computers. The new technology allowed him to go ever bigger, stitching multiple images to create his panoramic work.
© Andreas Gursky
Disclaimer: Aurelie’s Gallery does not represent Andreas Gursky, nor claims to do so. My “Photographers I love” series is purely for inspiration and to encourage discussion.